No it isn't the same painting as the last post or rather it is but with adjustments to the head, chest, beak, feet, background etc.
In experimenting to attempt painting birds, I have come to realize that when there isn't a significant and obvious muscle form visible beneath the surface the task is complexed.
"Form is certainty. All nature knows this, and we have no greater adviser. Each form sets a tone, enables a destiny, strikes a note in the universe unlike any other. How can we ever stop looking? How can we ever turn away?"
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